"Era" is perhaps my favorite track on the album starting with the tweaked horns that have become somewhat of a signature for RL into a muscular D&B finish. Track 9, "Pressure" continues along a path diverging further from mainstream and features an accompanying music video released a day before the album. I don't know if RL was thinking of me when he made "Reims," but let's assume he was trying to impress me by teleporting the sounds of my youth into present day. "Reims" opens with the same style of shimmering synth work that Banco De Gaia's remix of L.S.G.'s "Netherworld" closes with, different pitch of course.
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The sound is nothing short of celestial, and listening to the track in the course of this album, I was transported back to one of my favorite tracks from twenty plus years ago. "Reims" was the first track from the album to see the light of day over a year ago.
Long time fans will recollect that he started RL Grime to permit experimentation beyond his house music project, Clockwork. Having touched on D&B, pop, and two-step thus far, in addition to the trap he's known for, it's clear that perhaps RL is looking to expand his sound beyond what the project has become known for. "Shoulda" redirects the album back towards a more electronic vibe and carries a throwback two step sound. Joji & Chief Keef)." "OMG" notably features Chief Keef, whose track "Love Sosa" RL Grime remixed into one of his biggest hits, currently flexing over 33 million plays on Soundcloud. Ty Dolla $ign & TK Kravitz)," and "OMG (feat. Jeremih & Tory Lanez," "Take It Away (feat. Imminently listenable melodies, smooth vocals, and a dose of heavy bass to underpin it all this common thread connects it with the next several tracks on the album, "Undo feat. I'm sure the trap heads are thinking, "three tracks in and where the bangers at, yo?" You know what, "Light Me Up" is a great track. "Light Me Up" could be mistaken for a top 40 track if not for the trademark sub bass production that RL always brings. "Light Me Up" featuring Miguel and Julia Michaels follows, and I can already hear the groans of the die hard trap heads. Up next is is "Shrine" featuring vocals from Freya Ridings, a D&B composition in the vein of Rudimental – soulful and instrumental.
Starting with "Feel Free," RL announces his official return with the tweaked horns and heavy bass that he's best known for intertwined with lighter melodies that immediately imply less dreary intentions than his last album, VOID. Such are the expectations when you're a critically acclaimed pioneer of one of the most popular and commercially successful styles of EDM in the last decade, and you leave fans hanging for four years between albums.Įven with five previously released tracks, "Reims," "Era," "I Wanna Know," "Undo," and "Pressure," the album packs plenty of new music at 15 tracks long. If you ask them, trap has been stuck in mediocrity, and today is the day that RL Grime's new album NOVA explodes into the world to restore trap music to it's rightful place on the Iron Throne of EDM. “It’s me opening up,” he told Apple Music about the latter album, in which he crosses glistening hooks from the heavens with bass drops that could sink a submarine.It's been a long four years since RL Grime's last album released, and for many fans of the trap sub-genre of EDM, today couldn't have come soon enough. Always versatile, he’s teamed with R&B singers and street rappers alike on subsequent remixes and EPs while exploring all shades of catharsis on his solo albums, including 2014’s VOID and 2018’s NOVA. In the early 2010s, he joined the Wedidit Collective alongside beatmakers Shlohmo and Groundislava and dropped out of school at NYU to focus on music, eager to capitalize on gig offers after drawing attention online for his tracks-including a mesmerizing, massive 2012 remix of Kanye West’s “Mercy” made with fellow L.A. He loved 50 Cent as a kid, made regular trips to the Electric Daisy Carnival in Las Vegas in high school, and started making beats after being inspired by the dubstep-inflected ballads of James Blake. in a creative family-his father was an architect and his mother was a fine-arts photographer.
Born Henry Steinway in February 1991, he grew up in L.A. Reared amid the smoky, off-kilter creations of Los Angeles’ storied “beat scene,” the DJ and electronic producer RL Grime wields trap hi-hats, chest-caving bass, and languid synth lines that melt out of sound systems like Salvador Dalí’s clocks.
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